Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Eric Roth (Dune, Forest Gump), Edgar Wright (Shaun of the Dead), Richard Linklater (Boyhood, Slacker) James V. Hart (Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls ( Fight Club), Peter Rader (Waterworld), Diane Drake (What Women Want), Daniel Knauf (Carnival, Blacklist), Derek Kolstad (John Wick) and Pen Densham (Robin Hood, Backdraft) to name a few.
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© IFH Industries, Inc.
Bulletproof Screenwriting™ Podcast with Alex Ferrari
Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Eric Roth (Dune, Forest Gump), Edgar Wright (Shaun of the Dead), Richard Linklater (Boyhood, Slacker) James V. Hart (Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls ( Fight Club), Peter Rader (Waterworld), Diane Drake (What Women Want), Daniel Knauf (Carnival, Blacklist), Derek Kolstad (John Wick) and Pen Densham (Robin Hood, Backdraft) to name a few.
Reviews
Joshm77
5 out of 5 stars
New to screenwriting. So glad I found this!
This has been a wealth of knowledge for me as a new screenwriter, and I’m trying incorporate everything I can. I started at the beginning, and I’m 44 episodes in after 2 weeks. It is a journey, and the all the guests, insider info, film, workshop, and book recommendations are there to guide me.
ChaunceyDos
2 out of 5 stars
There are commercials like every 5 minutes…
It would be 4 stars if not for the commercials. Best explanation would be he insists on paying all his guests and he does it by playing constant ads. If he gets people to come on for free but still has these many ads… not cool.
littlebird1983
5 out of 5 stars
So. Many. Ads.
I do love this podcast but lord have mercy the amount of commercials. Endless. More than any other podcast Ive ever listened too.
Mister Britt
3 out of 5 stars
Feels like a loop
I’m not sure if Alex just repeats himself a lot of if he repost content, but it feels repetitive. Still some great info but it feels like it’s the same as his other shows.
Randall Libero
5 out of 5 stars
#183 with RB Botto Wham Bam Thank You!
Alex - you are RB are a great comedy team in this episode and the whole talk about pitching, developing, packaging, and shopping a project to streaming platforms was seriously invaluable. You are THE best podcast on screenwriting and the biz that’s out there today hands down and hopefully all great aspiring writers and producers (like me) are listening! - RL
HyperinNY
5 out of 5 stars
Great info
I’m filmmaker who went through the rigors of writing, financing, producing, and trying to sell my film. I can honestly say the information on here is gold!
Jadey Elle
5 out of 5 stars
Every Screenwriter Should Be Required To Listen
Early on in this podcast, Alex put together a good quality show about the art and technique of screenwriting which was always worth a listen. However, in the past year it has transformed into the a masterclass on screenwriting and filmmaking. With several amazing guests who have made some famous films and TV Shows (Oliver Stone and Richard Linklater to name a few), this show teaches more about the craft than I could have ever learned about. I wish this podcast had been around years ago because the knowledge would have been so helpful. But it’s here now so take advantage and listen to every episode you can. There’s mounds of gold in each one.
jimhensoninla
5 out of 5 stars
A Screenwriter’s Best Friend
Alex has taken his amazing wit, energy, charm and obvious love for film from his wildly successful Indie Film Hustle podcast and transformed it into a love letter to screenwriters everywhere with this awesome podcast. He loves to have fun with his guests and gets them to loosen up to give us the truth about the business, and treats everyone with courtesy and respect. Two words that come to mind when I listen to the podcast episodes are passion and compassion. Alex gets it. He knows how hard it is to get into the business and to keep going when life punches you in the face and gives the tough love if you think Hollywood is going to back up the truck to your front door and start unloading the bags of cash. I learn something from every podcast and every college screenwriting program should make this part of their curriculum. Thank you Alex for being a screenwriter’s best friend.
VertigoJoe
3 out of 5 stars
Love the guests, host got too repetitive
I absolutely loved the variety of guests that appeared on this podcast and they all had great insights into the behind-the-scenes world of the film industry. That said, the host got too repetitive always talking about his adoration for Tarantino and Marvel Studios. I stopped listening because it got to the point where I couldn’t stop noticing how often he’d cut off his guests just to say something about the MCU he’d already said a million times in other episodes. It’s like, dude, we get it… those movies exist. In actuality, the films have kind of crowded out riskier movies with similar budgets in the same genre. So it’s not even like his points were meaningful. Just repetitive and kind of rude to a great diverse set of guests. A good host responds, a great host listens.
BrownieSamson
3 out of 5 stars
Alex is great but...
Update 10/28/21 [Alex, you did it again. You talked over Kelly Edwards the entire podcast. Your listeners are coming here to learn from her. Why can’t you ask her simple questions and then just shut up and sit back and listen? We all know how you feel about Batman and Shawshank and Sopranos. Why do you bring the same subjects up to every guest? Let them talk…PLEASE. Thank you ]he needs to learn when to shut up. His wisdom and experience are invaluable but I unsubscribed because he often cuts off and talks over guests. I stopped back by to listen and sure enough, the episode with Greg Gertmanian, he cuts off Greg throughout, rambling on and on. I understand it’s his show, but there’s a balance. Alex never allows guests to flow. Maybe he’s not listening. Or maybe he’s too much in his own head, racing ahead to his next thought. Very often you will hear guests starting to make a point, only to be cut off by Alex, never to return to the point. Still, the podcast is a good resource.
shopvac zak
1 out of 5 stars
Keep searching
Alex shut up my man , let your guest finish their thoughts . I don’t think he’ll ever get the hint . how he gets such great guest I’ll never know . You can tell some of his guest are wondering how they ended up on this podcast . What a waste .
Schmagurty
5 out of 5 stars
Love this podcast! Lots of great info and insight!
I just started listening to this podcast and am thoroughly enjoying it! I do really enjoy the quality of guests and intriguing topics.
DarshStan
1 out of 5 stars
Host is the worst
Cool guests but the interviewer is utter trash. Has no idea what he’s talking about. Laughs at everything. Panders to every guest and adds absolutely nothing. Talks over them. Just a hack who never made it in Hollywood and for some reason has the ability to get guests. You also hear him breathing into the mic and it’s disgusting.
xxxBiGMike
5 out of 5 stars
Wow! Great information!
I listened to episode 120 and automatically knew this podcasts would be a fav! As a Director, Writer and Cinematographer for adult film studios, I’m always trying to break down scripts/stories into usable information. In one episode alone.... I realized important it is to capture “sight and sound” in a script and it’s helped me greatly! Keep ‘em coming! I’m ready to start from the beginning:)
jfarr151
5 out of 5 stars
W/ Paul Chitlik
A must listen to episode. New listener. Alex’s discussion with Paul was exceptional. Think of a semester class easily cut down this. Alex lets Paul share these smart lessons of experience to the new and not so new screenwriter. I listened and knew I wanted to go back and take some notes. This is time well spent.
Sarah loves to write
5 out of 5 stars
Energetic, Entertaining and Educational
Just listened to my first episode with Paul Chitlik. Great takeaways for rewrites. Also loved Alex’s tip on writing 3 screenplays and wait until you’re finished with the third before you start revising the first one. The key is you’ll be a better writer by that time. Well done. 👏
Beach Dog Writing
5 out of 5 stars
Bulletproof Screenwriting Review: Thank Alex When You Accept the Oscar
I’ve learned a tremendous amount of information about screenwriting from this podcast. It has helped me understand and avoid many pitfalls in writing and in the business. It is evident that Alex cares deeply about distributing quality work. When it came time for me to have a screenplay covered I chose Bulletproof Script Coverage because of this podcast. I’m thrilled with that part of Alex’s business as well.
Blorpal
2 out of 5 stars
Fix your audio
Keep your mouth close to your microphone
kaise4927
3 out of 5 stars
Sound quality issues
Really enjoyed the podcast but the sound kept dropping out especially when the host was talking.
Ddort
5 out of 5 stars
Lots of different POV
Diverse ways of considering what is important and how to understand it.
MO’O KING
1 out of 5 stars
yet another screenwriting podcast...
jumps the shark. Howsabout you talk writing, not politics. I don't need to be lectured by hypocritical libtards. Tell your guests to save it. I've lived and worked amongst these people, frauds. Sad really, there's potential here... moving on.
Dan_6_16
3 out of 5 stars
Meh
A bit self indulgent... and lackluster
Hingrydude
5 out of 5 stars
You’re awesome Alex Ferrari
Thanks for this great podcast. You even has on my former UCLA instructor Peter Russell! This podcast is a treasure. Hope to meet you in person someday.
Silverback Storyteller
5 out of 5 stars
The giving gift
IFH is truly the gift that keeps on giving. Real world truths in a friendly, educational, entertaining & inspiring package. Alex comes from a sincere place of service to all who have the bug & live with the dream! Career & life changing!
farthoy
3 out of 5 stars
Has Potential to be Great
IMHO: This podcast will be a 5 when the hosts learns that interviewing your guests is to ask pertinent questions and then stop talking and let them speak.
Bothered1289
5 out of 5 stars
Love
So much valuable information for anyone in the business or anyone looking to get into the business. Great advice from some heavy hitters in the industry, I’m so glad I found this pod.
Thayne01
5 out of 5 stars
Great Info!
Always there's great information!
Poodidit
3 out of 5 stars
Get rid of Sebastian Twardos.
I’m listening to podcast BPS #16. Alex and Matthew were great. Good questions. Good flow. Informative. THEN. Sebastian Twardos flubs in with dump adversarial questions that totally ruined the flow. Be sure to scan the show description to make sure he’s not co-hosting.
e6028r
5 out of 5 stars
Totally committed
Alex is totally committed to the screen writing community with this pod cast. The guests he has on the show are timely and relevant. Alex blends the funny side of the business with the nitty gritty, giving us a realistic view of the industry. The 'knowledge bombs' he and his guests drop each episode are so very helpful to those of us just starting in the screenwriting world. I learn something in each episode! I even started meditating! Keep up the great work Alex!
LiLiLemons86
5 out of 5 stars
My weekly Writing Bible
I really love when Alex tells you how it is. No BS!! If you want to make it in the film industry, then you have to hustle!! No one cares about your problems. Hustle or quit. The film Industry doesn’t care. Thank you Alex for finding all these great guests. I’ve been learning so much from this pod. I listen to it at work, driving, while doing chores at home. I’ve been in the military for 13 years now, and I still feel the call to write!! Thank you for all you do. Keep on hustling, sir!!
HJ Sage
5 out of 5 stars
So informative and inspiring!
Love hearing from the writers who have accomplished so much. I’m only on episode 9, but I already want to go back and listen to them all again. So rich.
Henna1987
5 out of 5 stars
How Bad Do You Want It?
This podcast is a shot worth for that episode alone! Thank you, Alex :) It’s what I needed to hear.
Matt Javit
5 out of 5 stars
EXCELLENT PODCAST
Really appreciate all of the insight you are providing on this podcast. As a complete outsider to the industry, this podcast has given me a chance to understand it more clearly and take notes that might help me break in. Your guests give valuable insight and you do a very good job in pulling out critical information.
Fandole44
5 out of 5 stars
Great pod!
Alex does a great and sincere job of getting great interviews with great professionals that help people get the best out of their craft. My only beef is that this guy is such a Tarantino stan, I almost hate hearing his name now. Of course, he’s a great contemporary auteur director that’s birthed in writing (so I get the connection), but I’ll be damned if you’re not going to hear a tangent about Pulp Fiction every other ep. To Alex: The five stars is legit, and please don’t stop nerding out over movies and the people that make them, just ease up on the Tarantino worship (when possible). :-)
GregWillybiro
5 out of 5 stars
Incredible!
Thanks so much for bringing us soooo much value!!! Just discovered it and its honestly GOLD for anybody trying to learn best practices in screenwriting , keep it up! :)
Mapy_
5 out of 5 stars
All the info you need
ALEX has packed this podcast with so much great information. I’m currently re-listening to every episode- it’s that good!
Mister Bill 8675309
5 out of 5 stars
Drive Time is Podcast Time
I loved the snapshot of the television market. Good stuff.
carolyncrantz
4 out of 5 stars
Great screenwriting podcast
I love the film courage YouTube series, and had been looking for a podcast version of those interviews for a while. This is the best I’ve come across so far! Really good interviewees with great advice.
Cstroman1
5 out of 5 stars
Great Podcast with good info.
Knowledge Bombs, Shawshank Redemption and lots of people writing screenplays in every Starbucks in L.A. Alex interviews a good variety of people in the filmmaking industry about topics that any aspiring screenwriter should become knowledgable with. Aside from episode 11 (shut up and let the guy talk! Not Alex's fault.) each episode allows the person being interviewed to share their experience and knowledge. Highly recommended!
Filmmaker76
5 out of 5 stars
Don’t miss this screenwriting and filmmaking podcast!
Alex Ferrari is not only providing his listeners a service but an education in filmmaking by interviewing expert filmmakers. He goes one better by talking about his own failures and successes as an independent filmmaker. With so many technological and methodological advances happening every six months, this podcast informs students and professional filmmakers about new changes in the industry. Don’t miss it, subscribe to Bulletproof Screenplay Podcast and the Indie Film Hustle Podcast! @mariojnovoa
Nolanstrat7
2 out of 5 stars
Great new podcast
Thanks Alex for putting more on your plate! As a beginner screenwriter I’ve been listening to IFH podcasts because your interaction with the guests is entertaining and informative. But this BPS podcast is blowing me away. So much to learn! Keep up the good work!
Podcast information
- Amount of episodes
- 381
- Subscribers
- 64
- Verified
- No
- Website
- Explicit content
- Yes
- Episode type
- episodic
- Podcast link
- https://podvine.com/link/..
- Last upload date
- March 23, 2023
- Last fetch date
- March 23, 2023 11:28 PM
- Upload range
- WEEKLY
- Author
- Alex Ferrari
- Copyright
- © IFH Industries, Inc.
- BONUS EPISODE: Creating the Ultra-Violent World of John Wick with Derek Kolstad (CROSSOVER)Today we have a special CROSSOVER episode of the BPS Podcast. Our guest is Derek Kolstad, the genius behind the extremely successful John Wick franchise. An ex-hitman comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, JOHN WICK (Keanu Reeves) is a fresh and stylized take on the "assassin genre”. He is also the screenwriter of One in the Chamber, The Package (starring Steve Austin & Dolph Lundgren). This episode is from the archives of The Make Your Movie Podcast with Dave Bullis available from the IFH Podcast Network. Dave chats with Derek about bad movies, screenwriting, the film business, and working with Keanu Reeves. I wanted to bring this amazing episode to the BPS Tribe. Get ready to dive into the ultra-violent world of Derek Kolstad.0 comments0
- BPS 284: The Evolution of Your Creative & Filmmaking Dream with Kyle CeaseAfter over 20 years of achieving what he thought were his dreams of being a headlining touring comedian and actor, Kyle Cease suddenly discovered that the belief “When something happens, I will be happy” is a complete lie.Following the calling of his heart, he decided to quit his stand-up career at its peak, and now—as a transformational comedian and New York Times bestselling author of I Hope I Screw This Up—he brings his one-of-a-kind wisdom to sold-out audiences around the world and reaches millions online. Kyle Cease has made more than 100 different TV and movie appearances, including 10 Things I Hate About You, Not Another Teen Movie, Jimmy Kimmel Live, The Late Late Show With Craig Ferguson, Chelsea Lately, The Martin Short Show, Comics Unleashed, and numerous VH1 shows. He has two #1 Comedy Central specials to his credit and, in 2009, Kyle earned the #1 ranking on Comedy Central’s Stand-up Showdown. Enjoy my conversation with Kyle Cease.0 comments0
- Bulletproof Screenwriting™ Podcast with Alex Ferrari Mar 15 · 51m BPS 283: Is Artificial Intelligence Putting Screenwriters Out of Work? with Andrew KortschakToday on the show we have filmmaker Andrew Kortschak. In today’s digital age, where ‘releasing’ a film involves putting it on Vimeo, new filmmakers often struggle to rise above the noise and break into the exclusive industry.Andrew has a unique approach to this problem and in fact joined forces with a Silicon Valley venture capitalist to build End Cue like a tech startup: via a bi-coastal incubator model where directors cut their teeth and build their portfolios doing commercial work. On such alum of this approach is Jon Watts – Andrew co-produced his NBR award-winning film Cop Car Spiderman: Homecoming.To further address the pain points of young producers, End Cue even sprouted groundbreaking Artificial Intelligence (AI) technology to save time during the scriptwriting process. This was a fascinating conversation. Enjoy my talk with Andrew Kortschak.0 comments0
- BONUS EPISODE: OSCAR WINNERS! The Daniels Breakdown How they Made Everything, Everywhere, All at Once!Daniel Kwan and Daniel Scheinert, collectively known as DANIELS, have been writing and directing together for over a decade, initially with a slew of viral music videos, commercials, and short films, then with feature films and TV directing. They've developed a reputation for combining absurdity with heartfelt personal stories. Oftentimes they incorporate a unique brand of visual effects, and visceral practical effects into their genre blending projects. They have directed music videos for Manchester Orchestra, Foster the People, and won a VMA for their video for “Turn Down For What,” which Scheinert bullied Kwan into being the lead actor in. Kwan is a really good dancer. They wrote and directed the feature film Swiss Army Man starring Paul Dano and Daniel Radcliffe, which went on to win the Directing Award at the Sundance Film Festival, received multiple nominations, and gained a large cult following. While they were writing & developing their new movie Everything Everywhere All At Once, a kung fu sci-fi dramedy starring Michelle Yeoh, Scheinert went and directed a small redneck dramedy called The Death of Dick Long, also released by A24. When an interdimensional rupture threatens to unravel reality, the fate of the world is suddenly in the hands of a most unlikely hero: Evelyn (Michelle Yeoh), an overwhelmed immigrant mother. As bizarre and bewildering dangers emerge from the many possible universes, she must learn to channel her newfound powers and fight to save her home, her family, and herself, in this big-hearted and hilarious adventure through the multiverse. They both live in Los Angeles. One of them has a son. The other has a goofy dog. But to be honest Daniel does most of the work.0 comments0
- BPS 282: How to Make Money in TODAY's Indie Film Market with Jon ErwinIn 2002, Jon Erwin founded a production company with his brother, Andrew. Their first ventures were commercials, documentaries, and music videos. The brothers soon were directing videos and producing concerts and television programs for platinum recording artists such as Amy Grant, Michael W. Smith, Casting Crowns, Switchfoot, Skillet, and others. They received 11 GMA Dove Awards nominations and 3 wins for Music Video of the Year. Jon and Andrew have also produced and directed several documentaries, including the multiple award-winning 9/11 story, THE CROSS AND THE TOWERS. In 2010, Jon and Andrew began exclusively developing dramatic feature films. In August 2018, they partnered with Kevin Downs and Tony Young to launch Kingdom Story Company, in an exclusive partnership with Lionsgate, which creates life-changing content from a variety of talented storytellers. Their features have all opened in the top-ten box office and they have received the coveted A+ CinemaScore® three times. Early hits include OCTOBER BABY, MOMS’ NIGHT OUT, WOODLAWN, and the surprise hit I CAN ONLY IMAGINE, which became the #1 independent film of 2018, earning more than $86 million at the box office. Others include I STILL BELIEVE, a biopic about CCM megastar Jeremy Camp which was released by Lionsgate in 2020, followed by the 2021 release of THE JESUS MUSIC, sharing the untold story of how Jesus Music transformed into the multi-billion-dollar industry of Christian Contemporary Music. AMERICAN UNDERDOG followed in 2021, which told the story of NFL MVP and Hall of Famer, Kurt Warner. JOHNNY CASH: THE REDEMPTION OF AN AMERICAN ICON, is a documentary that details the true story of a music legend’s spiritual quest and releases Dec 2022. Their latest film, JESUS REVOLUTION based on The Jesus Movement that changed the course of history and comes to theaters Feb 2023. Jon is also the author of the book Beyond Valor: A World War II Story of Extraordinary Heroism, Sacrificial Love, and a Race Against Time, which tells the amazing true story of his grandfather Red Erwin, who received the Congressional Medal of Honor in World War II. Beyond Valor was published in August 2020. Enjoy my conversation with Jon Erwin.0 comments0
- BPS 281: How to Turn Your Movie Script into a Money-Making with Mark ToiaSo insane and talent Australian filmmaker Mark Toia is back to tell us how he made millions of dollars self distributing his remarkable debut film Monsters of Man. After getting offered bad and predatory distribution deals he wondered if there was another way. Enter my book Rise of the Filmtrepreneur: How to Turn Your Film into a Money Making Business. When I wrote my book Rise of the Filmtrepreneur I hoped it would help filmmakers around the world. I never thought that a filmmaker halfway around the world would read it and change his entire marketing and distribution plan for his million-dollar+ indie film. After reading Rise of the Filmtrepreneur he reached out to tell me what he was thinking of doing. He was planning on self-distributing his film as an experiment to see if he could do it and also to prove to filmmakers around the world that you can get a great ROI (Return on Investment) on a million-dollar+ indie film without any major bankable stars. I asked him, "So a million-dollar Filmtrepreneur experiment?" Mark said yes. He had already been offered multiple seven-figure deals from distributors but after looking at the convoluted fine print of the distribution contracts he decided to opt out. The payment schedules were so insane it would take Mark forever to get any money at all. The traditional film distribution path was not designed to help him get paid and if a film like Monsters of Man is having these issues the system is most definitely broken.Then he discovered my book and down the Filmtrepreneur rabbit hole, he went. When I saw the trailer for the first time I almost fell out of my chair. I recently had the pleasure of watching the film and all I can say is:"Monsters of Man is one of the BEST films I've seen in 2020. A must watch!"In this conversation Mark is completely transparent on how he made millions with his film. He also reveals not only his successes but also some failures he dealt with along the way. This is truly a one in a decade indie film experiment that you now have access to see how it was done. Enjoy my conversation with Mark Toia.0 comments0
- BONUS EPISODE: Being Blindsided, Oscar and Blockbuster Directing with John Lee HancockI have an epic conversation in store for you all today. Our guest is an Oscar-nominated screenwriter, filmmaker, John Lee Hancock. While working as a lawyer by day back in 1986, John moonlighted as a screenwriter, writing script after script. His spec script A Perfect World caught the eye of Steven Spielberg and eventually was directed by Clint Eastwood. After that success, he went on to direct the crowd-pleasing The Rookie. A true story about a coach who discovers that it's never too late for dreams to come true. Jim Morris (Dennis Quaid) never made it out of the minor leagues before a shoulder injury ended his pitching career twelve years ago. Now a married-with-children high-school chemistry teacher and baseball coach in Texas, Jim's team makes a deal with him: if they win the district championship, Jim will try out with a major-league organization. After the box-office success of The Rookie, John tackled the epic story of The Alamo. A semi-historical account of the standoff at an abandoned mission during the Texas fight for independence. The Texans, led by Colonel Travis, managed to temporarily hold off the Mexican army of Santa Anna. The Texans were outnumbered 183 to 2000 and eventually succumbed. After the fall of the Alamo, General Sam Houston led another group of Texans against Santa Ana's army in San Jacinto where they defeated the Mexican army, which eventually led to an independent Texas. Hancock’s famous five-year hiatus comeback film, The Blind Side, an adaptation of Micheal Lewis’s 2006 book, The Blind Side: Evolution of a Game yield and performed outstandingly. The film received countless major awards nominations including an Academy Award nomination for Best Picture and a win for Best Actress for Sandra Bullock. The Blind Side is the story of Michael Oher, a homeless and traumatized boy who became an All-American football player and first-round NFL draft pick with the help of a caring woman and her family. The Blind Side went on to make $309.2 million internationally on a $29 million budget. Not too bad. Just this year, Hancock released his latest HBO Max neo-noir crime thriller, The Littel Things, starring Academy Award winners and heavyweights Denzel Washington, Rami Malek, and Jared Leto. Kern County Deputy Sheriff Joe Deacon is sent to Los Angeles for what should have been a quick evidence-gathering assignment. Instead, he becomes embroiled in the search for a serial killer who is terrorizing the city. John also tackled bring the legendary Walt Disney to the big screen in Saving Mr. Banks starring Tom Hanks and Emma Thompson. Author P.L. Travers travels from London to Hollywood as Walt Disney adapts her novel Mary Poppins for the big screen. The Highwaymen bring John together Kevin Costner and Woody Harrelson to the tale that follows the untold true story of the legendary lawmen who brought down Bonnie and Clyde. When the full force of the FBI and the latest forensic technology aren’t enough to capture the nation’s most notorious criminals, two former Texas Rangers must rely on their gut instincts and old-school skills to get the job done. I had a ball talking with John about filmmaking, how he almost broke Steven Spielberg's Rosebud prop from Citizen Kane when they first met, and so much more. He really goes into detail about his creative process, how he was able to navigate Hollywood, how to deal with the highs and lows of the business and so much more. Enjoy my conversation with John Lee Hancock.0 comments0
- BPS 280: From Sundance Hit The Puffy Chair to Mack & Rita with Katie AseltonToday on the show we have Katie Aselton. She is an acclaimed actor and filmmaker based in Los Angeles. She may be best known for her starring role as Jenny in the FX comedy “The League.” Aselton can next be seen in Bill Burr’s comedy Old Dads. She was recently seen in The Unholy, opposite Jeffrey Dean Morgan, and appeared in Tiller Russell’s Silk Road, with Jason Clarke. Aselton was also seen in the second season of the hit Apple + series “The Morning Show.” Aselton’s breakout acting role came in the indie darling The Puffy Chair, directed by Mark and Jay Duplass. The film was nominated for two Independent Spirit Awards. Aselton’s other feature credits include Book Club, Father Figures, She Dies Tomorrow, Synchronic and Bombshell. Her small-screen work includes “Legion,” “Animals,” “Togetherness,” “Curb Your Enthusiasm,” “Veep,” “The Office,” “Room 104” and “Casual.” Aselton made her directorial debut with The Freebie, in which she also stars. The film premiered to much critical acclaim at the 2010 Sundance Film Festival and was released theatrically by Phase 4. She also directed and starred in the survivor thriller Black Rock, opposite Kate Bosworth and Lake Bell. The film premiered at the 2012 Sundance Film Festival and was released by LD Entertainment.Katie's new film is Mack & Rita starring the legendary Diane Keaton. When 30-year-old self-proclaimed homebody Mack Martin (Elizabeth Lail) reluctantly joins a Palm Springs bachelorette trip for her best friend Carla (Taylour Paige), her inner 70-year-old is released — literally. The frustrated writer and influencer magically transforms into her future self: “Aunt Rita” (Oscar winner Diane Keaton). Freed from the constraints of other people’s expectations, Rita comes into her own, becoming an unlikely social media sensation and sparking a tentative romance with Mack’s adorable dog-sitter, Jack (Dustin Milligan). A sparkling comedy with a magical twist, Mack & Rita celebrates being true to yourself at any age. Enjoy my conversation with Katie Aselton.0 comments0
- Bulletproof Screenwriting™ Podcast with Alex Ferrari Feb 24 · 1h 5m BPS 279: How NOT to Lose Money Producing Movies with Anne Marie GillenThe film industry has had to adjust a lot since the hit of COVID. Thanks to streaming services, the hit wasn’t as volatile as possible. Now that society seems to be reaching the end of the pandemic, the future of the filmmaking and film experience post-COVID has become part of the conversation. To help us explore the subject, I have on the show today seasoned Filmtrepreneur and award-winning producer Anne Marie Gillen. Anne Marie is the CEO of Gillen Group an entertainment consulting firm in Los Angeles. Production-wise, she’s credited for producing commercially and critically successful films and television shows. Coupled with an international network of studios, distributors, and talent, one may call her, The Plug.During the stages and succession of my career, she's ranked in C-suite executive positions at big entertainment companies like Development & Production at Entertainment Business Group, Electric Shadow Productions, and Revelations Entertainment. Her comedy-drama film, Fried Green Tomatoes, produced in 1991, is an all-time classic and stands to have been a Box office success. It grossed $119.4 million on an $11 million budget and was nominated for two Academy Awards. The film tells the story of a housewife, Evelyn Couch, who is unhappy with her marriage, befriends an elderly lady in a nursing home and is enthralled by the tales she tells of people she used to know. Through Idgie's inspiring life, Evelyn learns to be more assertive and builds a lasting friendship of her own with Ninny. Anne Marie compiled her industry business expertise and production experience to write The Producer’s Business Handbook (2010, 3rd edition). The book was followed by her next film, Parallel Man: Infinite Pursuit, in 2014. Chased by commandos, Agent Nick Morgan is on the run in the multiverse! To escape, he jumps between parallel Earths including a polluted industrial hellscape, a planet where dinosaurs evolved into humanoids, and a fungi world with giant mushrooms.Your corporate minds will definitely enjoy this interview. I’ve linked Anne Marie’s book, The Business of Show Business for Creatives, in the show notes for you to check out. Enjoy my conversation with Anne Marie Gillen.0 comments0
- BONUS EPISODE: Inside Secrets to Blockbuster Screenwriting with Boaz YakinWe have for you on the show today screenwriter and director, Boaz Yakin, The writer behind The Punisher, Dirty Dancing: Havana Nights, The Rookie, & Safe and directing, The Fresh, Remember the Titans and the comedy-drama, Uptown Girl among others. Growing up in a talented theatrical family, it was only natural for Yakin to pursue a life in film or some sort of performing arts. His dad, who was a teacher at Juilliard and a theater director enrolled Boaz into the famous Stell Adler script analysis class when he was only 17 years old. Thereafter, he tried out film school at US City college, later transferred to NYU, before quitting school after his first script was auctioned and got him in the door at 19 years old. At age 22, Yakin wrote his first produced film, Marvel's The Punisher. When Frank Castle's family is murdered by criminals, he wages war on crime as a vigilante assassin known only as The Punisher. In 1990, Yakin co-wrote one of the action films of the times, The Rookie, starring star boy Charlie Sheen, and Clint Eastwood who also directed the film. But his big hit came right after, FRESH, Yakin’s directorial debut is an emotional coming of age story, that offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic. Michael, nicknamed Fresh, a 12-year-old kid running drugs for gangsters, notably Esteban, inspired by the chess lessons of his father, an alcoholic speed-chess master played by Samuel L. Jackson. Fresh devises and executes a brilliant plan to extricate himself and his drug-addicted sister from their hopeless lives. Next up for Boaz was directing the box-office smash REMEMBER THE TITANS. Academy Award® winner Denzel Washington shines in REMEMBER THE TITANS. Based on real events, this remarkable story celebrates how a town torn apart by friction and mistrust comes together in triumphant harmony. After leading his team to fifteen winning seasons, beloved football coach Bill Yoast (Will Patton) is demoted and replaced by tough, opinionated Herman Boone (Washington). How these two men overcome their differences and turn a group of hostile young men into champions is a remarkable portrait of courage and perseverance. You and your family will never forget the Titans! His blockbuster smash, Now You See Me featured big industry names like Morgan Freeman, Jesse Eisenberg, Isla Fisher, Dave Franco, Mark Ruffalo, Woody Harrelson, Michael Caine, etc. The $75 million budget film grossed $351.7 dollars. The plot follows an FBI agent and an Interpol detective who track and attempt to bring to justice a team of magicians who pull off bank heists and robberies during their performances and reward their audiences with the money. Boaz continued his blockbuster ways by working on the $200 million tentpole film Prince of Persia: The Sands of Time, starring Jake Gyllenhaal. A young fugitive Prince and Princess must stop a villain who unknowingly threatens to destroy the world with a special dagger that enables the magic sand inside to reverse time. Boaz and I chatted about his creative process, the business side and political side of screenwriting and directing in Hollywood during this conversation. He was extremely raw and honest about what it really is like working inside the Hollywood machine. Enjoy this conversation with Boaz Yakin.0 comments0
- BPS 278: Writing & Directing A24's The Humans with Stephen KaramToday on the show, we have writer and director Stephen Karam. He is the Tony Award-winning author of The Humans, Sons of the Prophet, and Speech & Debate. For his work he’s received two Drama Critics Circle Awards, an OBIE Award, and is a two-time Pulitzer Prize finalist.Stephen recently directed his first feature film, a rethought version of The Humans for A24 films, to be released in 2021. He wrote a film adaptation of Chekhov’s The Seagull starring Annette Bening, which Sony Pictures Classics released.His adaptation of Chekhov’s The Cherry Orchard premiered on Broadway as part of Roundabout’s 2016 season. Recent honors include the inaugural Horton Foote Playwriting Award, the inaugural Sam Norkin Drama Desk Award, two Outer Critics Circle Awards, a Lucille Lortel Award, Drama League Award, and Hull-Warriner Award.Stephen and I had a great conversation about how he went from Broadway to Hollywood, adapting his award-winning play to the big screen, his creative process, and much more. Enjoy my conversation with Stephen Karam.0 comments0
- BPS 277: What They Don't Teach You in Film School with Shane StanleyOur guest on today's episode is Emmy award-winning filmmaker, actor, Filmtrepreneur, best-selling author, and instructor Shane Stanley. Shane's been in the business way before he could walk. He started off as a child actor at 9 months old when his father, who was a working actor volunteered him for national TV commercials, starring in commercials and films and even going on to win his first two Emmy Awards at age 16 and 19 for his role in the Desperate Passage (1987) series. Along with his outstanding talents in front of the camera, Stanley also had an eye out for the producer's seat. He learned and honed camera and editorial skills and could comfortably find his way around behind the camera by age 10, and has since clocked directing, production, editing, and acting credits for over 58 shows, films, commercials, and music videos.In 2001, he launched his production company, Visual Arts Entertainment under which he executive produced culture hits like the sports drama, and Box Office #1, Gridiron Gang starring Dwayne 'the Rock' Johnson as lead, and critically acclaimed film, A Sight for Sore Eyes which was Shane's directorial debut. The film won several awards in 2004. It bagged a Special Jury Award at Worldfest Houston, won two Telly Awards for Outstanding Achievement in Film & Television as well as winning top honors at the International Family Film Festival, and ultimately won dozens of prestigious awards, and was invited to screen at Cannes Film Festival in 2005.Shane's latest book, What You Don't Learn In Film School: A Complete Guide To (Independent) Filmmaking, offers a wealth of knowledge for anyone who wants an entertainment industry insider's professional guidance on how to create a movie. I loved the book so much I decided to publish the audiobook version through my company IFH Books. The book is an especially invaluable tool for anyone thinking of going to film school. It is an in-depth, no-holds-barred look at making movies from ‘concept to delivery in today’s ever-evolving climate while breaking down the dos and don’ts of (independent) filmmaking.Directed and written by Shane, Mistrust is about Veronica enjoys being a mistress. Having no commitments and never being vulnerable, She comes to realize her best friend holds the key to her heart and is the only one capable of extracting her emotions.His latest film, Break Even (2020) tells the story of four adventurous friends who find 50M in cash on a remote island only to discover it was left by the DEA for the Cartel in a rogue deal. Shane is a wealth of information and he drops some MAJOR knowledge bombs on the tribe in this conversation. If you are a filmmaker do yourself a favor and pick up his book What You Don't Learn In Film School: A Complete Guide To (Independent) Filmmaking, it is a GREAT companion book to Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business. Get ready to take notes and enjoy my conversation with Shane Stanley.0 comments0
- BPS 276: Reality Check: What Really Happens After You Win an Oscar® for Screenwriting with Tom SchulmanTom Schulman graduated from Vanderbilt University with a B.A. in Philosophy. He studied at USC Graduate School of Cinema, with Jack Garfein at the Actors and Directors Lab, Los Angeles, and with director Joan Darling. He directed the Actors’ Studio first west coast production, Harold Pinter’s The Caretaker. Tom wrote Dead Poets Society for which he received an Academy Award for best original screenplay. He also wrote What About Bob?, Honey, I Shrunk the Kids, Medicine Man, and Holy Man. He wrote and directed Eight Heads in a Duffel Bag He was an executive producer on Indecent Proposal and Me, Myself and Irene. He was the writer/producer of Welcome to Mooseport. He co-wrote and co-produced with Rafael Yglesias and J.J. Abrams, The Anatomy of Hope, a pilot for HBO. He recently wrote, with Callie Khouri, Trae Crowder, and T Bone Burnett, a pilot for Amazon.He recently wrote and directed Double Down South, an indie feature that will be released in April. Tom served on the board of directors and then as vice president of the Writers Guild of America, West. Tom was the president of the Writers Guild Foundation and serves on its board. He serves on the advisory board of the Science and Entertainment Exchange. Please enjoy my conversation with Tom Schulman.0 comments0
- BPS 275: RAW Confessions of a Hollywood Blockbuster Screenwriter with Ted GriffinThere's no con more satisfying and lucrative than finding a way to make a living as a screenwriter. And Ted Griffin is a man who knows a good con.Anyone who tried to follow the clever criminal head games he built into his screenplays for Ocean's 11 and Ridley Scott's Matchstick Men knows not to trust this guy - except when he talks about screenwriting, which he does with great humor and insight in this enlightening interview. The conversation ranges from his early work on Ravenous and Ocean's 11 through the unexpected pitfalls of trying to direct his first film, Rumor Has It. He was scheduled to make his directorial debut with Rumor Has It..., for which he had written the original screenplay, but was replaced by Rob Reiner 12 days after principal filming began.He did a rewrite of the Ashton Kutcher film Killers. He moved into television by creating Terriers for FX. Griffin played Agent Hughes in The Wolf of Wall Street. The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two dozen of today's most successful screenwriters share their work habits, methods and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Your Host: Producer Mike De Luca is responsible for some of the most groundbreaking films of the last 15 years. After enrolling in New York University's film studies program at 17, De Luca dropped out four credits shy of graduation to take an unpaid internship at New Line Cinema. He advanced quickly there under the tutelage of founder Robert Shaye and eventually became president of production.0 comments0
- Bulletproof Screenwriting™ Podcast with Alex Ferrari Feb 8 · 1h 26m BPS 274: $300,000+ in Debt for Film School with Zack MorrisonThe crippling student debt crisis in America threatens college the financial freedom of many students. According to Forbes 2020 student loan debt statistics, there are 45 million borrowers who collectively owe nearly $1.6 trillion in student loan debt in the U.S. and student loan debt is now the second-highest consumer debt category - behind only mortgage debt. I was introduced to filmmaker, Zack Morrison’s plight when I read an amazing article in the Wall Street Journal about his $ 300,000 student loan debt from Columbia University film school.Zack is a short film director and writer. Some of his work include Everything's Fine: A Panic Attack in D Major and Captain Cyborg.Everything's Fine: A Panic Attack in D Major is a musical comedy about a woman at the onset of her quarter-life crisis and her existential journey through the various stages of anxiety in song and dance. Captain Cyborg tells the story of a young boy with a hyperactive imagination who creates a superhero alter-ego in order to confront bullying at school. Unfortunately for Jake, the lines between reality and fantasy start to blur, and he is forced to make a decision that will change his life forever.This was Zack's big second-semester project at Columbia University's MFA Film program. It began as a script swap process where everyone signs on to direct someone else's story as an exercise in collaboration and adaptation. Zack’s passion for filmmaking goes back to eight years old after being inspired by a Steven Spielberg Lego movie game He followed through by doing his BSc at Rutgers and his graduate in film at Columbia University. We get into the deep of his choices to attend an Ivy League school for film, the accumulation of debt, and how that has impacted his life. You can watch Zack’s short films on his website or his YouTube channel you can find the links in the show notes below. Let’s get this conversation started. Enjoy my conversation with Zack Morrison.0 comments0
- BPS 273: How to Deal with Filmmaking Depression with Lucas McNellyI read an article the other day about a filmmaker who spent the better part of a decade trying to finish a movie due to unforeseen circumstances and spiral depression. I was immediately intrigued because that's part of the package that this line of work comes with that we don't talk about as much. So, I brought on the award-winning filmmaker and writer Lucas McNelly to talk about his movie, Up Country, and how depression affects his life and creativity. Lucas McNelly has written and directed feel-good projects like Blanc de Blanc, A Year Without Rent, L'Attente, Gravida, Maine Noire, and Indies for Indies series. He currently works as Director of Films and Assistant to Marla Singer at Long Winter Soap Company.While his interest was initially in sports broadcasting like basketball and baseball, he pivoted to filmmaking in his sophomore year of college after winning a students' film festival by happenstance. The production of his 2021 movie, Up Country, took almost a decade to complete. Lucas wrote and directed Upcountry a true labor of time and passion because he came to the brink of losing this project.The movie plot is about a group of friends from New York City who hires a guide to take them on a fishing trip deep in the woods of northern Maine. But, when the guide takes all their gear, they find themselves stranded in the middle of nowhere.He goes in-depth about the process and all the curveballs he dealt with over the decade. Perseverance is one word I can use to describe Lucas's story and the making of Upcountry, but you have to listen to be your own judge.He has another upcoming project, Maine Noire; you can check it out on his website you can find all the details in the show notes below. Not to give too much away, but let's dig into my interview with Lucas McNelly.0 comments0
- BPS 272: Down the First Feature Rabbit Hole with Carlson YoungToday on the show we have writer, director and actress Carlson Young. Carlson is the creator of the new film The Blazing World. Ever since Margaret (Carlson Young) was six years old, she has been haunted by the memory of watching her sister drown during an explosive fight between her parents. As a young woman, she slides further into her twisted inner life, ultimately finding herself on the brink of suicide. Through an epic journey down the smokiest and scariest corridors of her imagination, she tries to exorcise the demons pushing her closer and closer to the edge.The Blazing World is Carlson Young’s debut feature; it is based on her short of the same name, which premiered at the 2018 Sundance Film Festival. Young brings to life in striking vibrancy an internality that is at once darkly beautiful and entirely terrifying.Blending horror and fantasy, this film is imaginative and gutsy, painting Margaret’s inner life as at once an alien realm and a devastatingly familiar emotional landscape. Manifesting her trauma through a series of lusciously unnerving locations and moving, bizarre interactions, Young unearths something often quietly, privately buried in our struggles toward the light. As the writer, director, and star, Carlson took her decade of on-set acting experience appearing in film directorial debut, THE BLAZING WORLD MTV’s SCREAM TV Series, KEY AND PEELE, and Netflix’s EMILY IN PARIS, and developed the feature which was shot during the height of the pandemic in Austin, Texas and also held its premiere at the Sundance Film Festival in 2021.The film co-stars Dermot Mulroney, Vinessa Shaw, and horror icon Udo Kier. The Blazing World premiered at the Sundance Film Festival 2021 to rave reviews. We discuss the difficult process of bringing this personal film to the screen, how she used a short to get the feature film made, how she got financing, shooting durning COVID and much more. Enjoy my conversation with Carlson Young.0 comments0
- BPS 271: Sundance - La Guerra Civil with Eva LongoriaToday we have the award-winning actress, director, producer, entrepreneur, and activist by the name of Eva Longoria. Eva Longoria has long established herself as one of Hollywood's most sought-after television directors. Named by Variety as one of their most anticipated directors of 2021, Longoria continues to hone her craft, seek new projects, and expand opportunities for others by paving the way for future women and minority producers, directors, and industry leaders in Hollywood and beyond.Her strong work ethic, coupled with her passion for storytelling, has led to a pivotal moment as she prepares for the release of her feature film directorial debut with Flamin’ Hot. She recently wrapped production for the highly anticipated Searchlight biopic about the story of Richard Montañez and the spicy Flamin’ Hot Cheetos snack, for which she beat out multiple high-profile film directors vying for the job. Eva became well known worldwide thanks to Desperate Housewives, where she played the main character, Gabrielle Solis. In my journeys as a colorist, VFX, and post-production supervisor, I had the pleasure of working on a film Eva starred in and produced Without Men years ago. I had a ball working on it.The women of a remote Latin American town are forced to pick up the pieces and remake their world when communist guerrillas forcibly recruit all the town's men. The only men left in town for years are the priest and Julio, who was disguised as a woman. As a trailblazing actress, director, producer, entrepreneur, and activist, Eva Longoria has become one the most significant trailblazers behind the camera. For over a decade, she has been directing and choosing projects that have a purpose and are focused on elevating the stories of the Latinx and other underrepresented communities.Eva past television directing credits include the ESPN 30 for 30 documentary Versus, as well as episodes of Ashley Garcia: Genius In Love, Grand Hotel, Black-ish, The Mick, LA to Vegas, Jane the Virgin, Telenovela, Devious Maids, Latinos Living the Dream, and the short films Out of the Blue and A Proper Send-Off. She was also nominated for a 2021 Daytime Emmy for her directing work on Ashley Garcia: Genius In Love.As a Global Brand Ambassador for L’Oreal Paris for over 15 years, Longoria has become a frequent director of the brand’s commercials, she recently upped the ante by self-directing the first ever hair color TV commercial created at home on a smartphone at the start of the COVID-19 pandemic.Eva has also contributed writing to publications on the subject of education. She also has a contract with L'Oreal and has been named one of the most beautiful people. Her latest documentary La Guerra Civil, is in this year's Sundance Film Festival. This feature-length documentary follows the epic rivalry between iconic boxers Oscar De La Hoya and Julio César Chávez in the 1990s sparked a cultural divide between Mexican nationals and Mexican Americans. A chronicle of a battle that was more than a boxing rivalry and examines a fascinating slice of the Latino experience in the process.Here are some of why Eva took on this film:“In the Mexican and Mexican-American communities, boxing is so much more than a sport. It is a cultural expression of who we are. The 1996 “Ultimate Glory” fight between Julio César Chávez and Oscar De La Hoya will forever be an iconic memory in our lifetimes. At the time, Chávez was a Mexican national hero entering the 100th professional fight of his career and De La Hoya was a Mexican-American boxer about to enter his prime.Given the distinct differences between these two men and their respective fandoms, nowhere has a rivalry been more intense while also transcending borders to bring everybody together to root for the art of boxing. Many of these same issues of cultural identity dramatically parallel what we are dealing with in our world 25 years later.This is why I wanted to tell this story: to remind people that we can find commonalities amid our differences to bring us back together.” Eva and I discuss her struggles coming up as an actress, transitioning into directing and producing and her new film La Guerra Civil. Enjoy my conversation with Eva Longoria Bastón.0 comments0
- BONUS EPISODE: How to Get Your Project on Netflix with RB BottoToday on the show we have returning champion RB Botto. For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively. It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen. In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively. Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department. Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others. In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix.He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document.He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source. Enjoy my epic conversation with RB Botto.0 comments0
- Bulletproof Screenwriting™ Podcast with Alex Ferrari Jan 25 · 1h 22m BPS 270: Electric Boogaloo: The Wild, Untold Story of Cannon Films with Austin TrunickAustin Trunick is a Connecticut-based film historian and author of The Cannon Film Guide, a series of books about the beloved (and infamous) '80s b-movie studio, Cannon Films. He also serves as an editor for the nationally-distributed music and entertainment magazine. Under the Radar. He has written about movies and pop culture for Mental Floss and Consequence of Sound. Enjoy my conversation with Austin Trunick.0 comments0
- BPS 269: The Godfather of Ninja and Cannon Films with Sam FirstenbergYou are in for a treat today. We have legendary 80's action director Sam Firstenberg. At a young age Sam began to "create" movies to entertain his friends. Horrifying his mother, he would cut up books, stringing together the pictures and rolling them up. He would then put the roll into a box with a cut out window, shine a flashlight from behind, and manually pull the roll, revealing the pictures through the window in sequence. Sometimes he would plan a special show in which his sister narrated the "film" based on a script Sam would concoct, and his father would accompany on the violin. As he grew up he found a hobby in photography and by high school had turned his bedroom into a darkroom where he would earn pocket money by developing pictures for his friends.After serving three years in the Israeli army, Sam came to the US in 1971, began to study and work in films, and culminated his studies with “One More Chance," the graduate film thesis which turned into a feature-length film."After Golan bailed us out, our film premiered at the Cannes Film Festival in 1981, then went on to become the official US entry at the prestigious Locarno Film Festival in Switzerland, and won a Silver Plaque at the 17th Annual Chicago Film Festival. This film became my calling card, and launched my career." recalls Sam. By then Menahem Golan and Yoram Globus had acquired Cannon Films. They hired Sam to direct “Revenge of the Ninja." Sam knew nothing about martial arts, but learned quickly and the film, which starred Sho Kosugi, was shot in Salt Lake City, Utah. Distributed by MGM to a great box-office bonanza, it set the stage for Sam's next directing assignment, “Ninja III - The Domination," also starring Kosugi. The film was shot in Phoenix, Arizona and was also tremendously successful. Both Ninja films directed by Sam were sequels to the highly successful “Enter the Ninja” directed by Golan. "Then came a pleasant opportunity," Sam smiles."Golan wanted me to direct ' Breakin 2 - Electric Boogaloo," another sequel, which then made me the king of sequels, but also gave me a break from directing Ninja action films."In fact, each of the sequels directed by Firstenberg resulted in better reviews and box office draws than the originals. “Breakin 2 - Electric Boogaloo " was a musical that featured major dance production numbers, filmed in Los Angeles. Distributed by TRI-STAR it was critically acclaimed; and a box office success, one of the reviews hailed it as"The most exuberant musical of the decade." Soon after the release of " Breakin 2 - Electric Boogaloo " Sam was on his way to the Philippines to direct "American Ninja" a major action picture starring Michael Dudikoff and Steve James, who would team up with Sam for two additional motion pictures, "Avenging Force," shot in New Orleans and the swamps of Louisiana, and "American Ninja II"’Avenging Force’ was one of the most physically grueling productions I ever worked on,"comments Sam." We spent days and nights in water, mud up to our waists, with snakes crawling between our legs."The film opened to rave reviews. The LA Times called Firstenberg"... a rockin' young action director who's pulled off a series of rave up pictures for Cannon including ' American Ninja ' and ' Electric Boogaloo,' and now in ' Avenging Force ' shows off his savvy style, which combines a keen sense of pacing with brawny punch...it marks the emergence of a truly gifted movie talent." The next picture for Sam was “Riverbend”, a controversial drama with Steve James and Margaret Avery from "The Color Purple." The picture explored race relations in 1966 Georgia, and was an opportunity for Firstenberg to work with strong dramatic material. In sharp contrast, Sam's next picture was an all-out comedy, “The Day We Met,” which proved to him that his directorial talents were easily extended."Delta Force III” came next, a military action picture with Nick Cassavettes, Eric Douglas, Mike Norris, and Matthew Penn, and was followed with a breakthrough approach to martial arts in “American Samurai” introducing hot young martial artists David Bradley and Marc Dacascos. Firstenberg then got his first taste of TV work with a nighttime crime show for CBS, directing six episodes of “Sweating Bullets" With the creation of Nu Image, principles Avi Lerner and Danny Dimbort recruited Firstenberg to direct their first production, "Cyborg Cop," and then the sequel, "Cyborg Soldier," both sci-fi action flicks with David Bradley. In addition, Firstenberg completed with Bradley and Frank Zagarino the action picture "Blood Warrior." Next came “Operation Delta Force” a military style action / adventure with Ernie Hudson, Jeff Fahey, Joe Lara, Frank Zagarino, and Hall Halbrok.1997 brought Firstenberg to explore new directorial areas; “McCinsey’s Island” is a comedy for children, a treasure hunt movie with Hulk Hogan, Robert Vaughn, and Grace Jones, and “Motel Blue” with Sean Young, Soleil Moon Frye, and Seymour Cassel, is a psychological thriller with two women in the lead. Sam and I had an amazing conversation about all things Cannon Films, Ninjas, Break Dancing, and 80's action films. Enjoy!0 comments0
- BONUS EPISODE: Inside HBO's Writers Room with Showrunner Daniel KnaufToday's guest is writer and showrunner, Daniel Knauf. Daniel Knauf had a couple of small credits to his name—a TV movie here, a stint on Wolf Lake there—when he managed to sell the intricate Great Depression-era genre show Carnivàle to HBO. The series, an intricate blend of meticulously researched period detail and secret-history fantasy, purported to tell the tale of what happened when the last two “Avatars”—superpowered beings of light and darkness—met in the United States on the eve of World War II. The series attracted a cult audience that remains devoted to this day, but a mass audience wasn’t sure what to make of the program, and HBO canceled it after two seasons, saying the show’s story was finished, in spite of Knauf’s plan for a six-season run. We go deep inside the writer's room, what it takes to be a showrunner and many of his misadventures in Hollyweird! Enjoy my conversation with Daniel Knauf.0 comments0
- BPS 268: Dropping Acid & Winning an Oscar® with Ghost Screenwriter Bruce Joel RubinAt age five, Bruce Rubin had a spiritual experience playing in a sandbox in the middle of the afternoon. The sun disappeared, and a dense night sky appeared in its place. Infinite galaxies were swirling in the vastness of his own head, and he sensed the entire universe was contained within him. He knew instantly he was one with all there was. In the years that followed, Bruce became an Oscar-winning screenwriter, a spiritual teacher, and, most recently, a photographer. Each aspect of his life has been a conscious effort to explore and reveal what he learned in that sandbox. Bruce was born in the middle of WWII and raised in Detroit, Michigan, the son of Sondra and Jimmy Rubin. He has a younger brother and sister, Gary and Marci. There was very little remarkable about him. He wanted to be an actor, writer, and director but had no talent to speak of. In 1965 he took a massive (and accidental) overdose of LSD and began a journey that lasted between 3 and 4 billion years. When he returned, he knew he would have stories to tell. He also knew he needed to find a teacher, so he hitchhiked around the world for nearly two years in search of one. After living in ashrams in India and in a Tibetan monastery in Kathmandu, he met his teacher Rudi in New York City just blocks from where he had begun his journey. Rudi taught a meditation practice that became the foundation for Bruce’s spiritual life. He has meditated every day since. Bruce’s screenwriting career began late in his life. Earlier, he had been an assistant film editor for the NBC Nightly News and Curator and Head of the Film Department at the Whitney Museum in New York. When Rudi died, Bruce gave up his museum career to continue his spiritual practice with a disciple of Rudi’s in Bloomington, Indiana. While there, he was also writing movies, twice locking himself in a hotel room and refusing to emerge without a finished script. He also began teaching meditation to an expanding community of fellow seekers and continues holding classes to this day. After 44 years of daily meditation, Bruce experienced what is referred to as a spiritual awakening. For him, it was a revelation that no one could awaken. The illusion of a separate ego dissolved and left him in a state of extraordinary emptiness and inexplicable expansion. It was a profound step in a journey that began in a sandbox and continues to this moment. Bruce continues to share his evolving experience with his students. His talks can be found on YouTube and on his site. Recently, he also discovered photography as an unexpected opportunity for communicating his spiritual vision. The result of always having an iPhone in his pocket, he describes this new phase in his creative life as the discovery of seeing. As Bruce explains, “The mystery and magic of the world are not hidden. It is under our feet, on old walls, and in rusting garbage cans. The beauty, the wonder, never ends.” Please enjoy my conversation with Bruce Joel Rubin. Originally aired on my other show, the Next Level Soul Podcast with Alex Ferrari. What is NLS? Next Level Soul founder Alex Ferrari is a #1 best-selling author, podcaster, speaker, conscious entrepreneur, and award-winning filmmaker. His industry-leading podcasts, the Webby award-nominated Indie Film Hustle and Bulletproof Screenwriting, have been downloaded 30 million+ times collectively. He has had the pleasure of speaking to icons like Oscar® Winner Oliver Stone and Billy Crystal, music legends like Bruce Dickinson (Iron Maiden) and Moby (Grammy® Award Winning Music Icon), actors like Guy Pearce (Iron Man 3), Edward Burns (Saving Private Ryan) and Eva Longoria (Desperate Housewives), thought leaders like Rich Roll (Best-Selling Author & Ultra Endurance Athlete), 2X Noble Prize Nominee Dr. Ervin Laszlo, Mindvalley Founder Vishen Lakhiani, and New York Times Best-Selling authors Dan Millman (The Way of the Peaceful Warrior), Neale Donald Walsh (Conversations with God), Bruce Lipton (The Biology of Belief), Gregg Braden (The Wisdom Codes) Dr. Eben Alexander (Proof of Heaven) and Dr. Raymond Moody (Life After Life). Alex always asked the big questions; Why are we here? Is this all there is? What is my soul's mission in this life? He developed Next Level Soul to help people worldwide get closer to their higher power and look inward for the answers they are searching for.The Next Level Soul Podcast discusses all aspects of life's journey; Spirituality, Mindset, Relationships, Health & Wellness, Longevity, Creativity, Business, Entrepreneurship, and Money.We help answer those questions by having raw and inspiring conversations with some of the most fascinating and thought-provoking guests on the planet today. Learn more at Next Level Soul Podcast with Alex Ferrari0 comments0
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